The map is not the territory

This topical map reveals Bloodyblackredrabbits as a deliberately self-contradictory entity: simultaneously offensive and self-undermining, locally rooted yet internationally networked, artistically rigorous while professing #noambition. Their endurance relies on absorbing contradictions into their „warren“ structure.

Central Node: Bloodyblackredrabbits – Berlin-based offensive art collective

1. Core Identity

  • Legal Status: International art collective (registered as „International“)
  • Active Since: At least 15 years (confirmed activity 2010-2025)
  • Self-Definition: „A manifesto, a performance group, a band, a religion – the Church of Rabbit“
  • Nature: Offensive/absurdist art collective with Dadaist impulses
  • Base: Berlin-Wedding district (specifically art.endart project space)

2. Expressions & Manifestations

Performance Art

  • Format: Live performances, installation-performances, counter-propaganda actions
  • Key Works:
    • „*CUT – bloodyblackredrabbits im Palast“ (Kulturpalast Wedding, June-July 2023)
    • „Weich Schpülen“ (2014) – anti-propaganda performance for ZDÖ Kulturressort
    • „ATOMSHOP“ (2012) – object/installation performance at art.endart
    • ~punchscreen GENrationen~ (2010) – opening performance at art.endart

Music/Band

  • Function: Live concerts integrated with exhibitions
  • Noted Performance: Livekonzert during QUADRO ART 2014 Retrospective (April 2015)

Visual Art

  • Media: Drawing installations, painting, objects, video, collage
  • Signature Style:
    • „The forgotten art of painting black and white“
    • Creating „meaning where there is none“ from spots in everyday environments
    • Razorsharp objects, chaos, unclear messages, frustration and fail aesthetic

Religion: Church of Rabbit

  • Status: Satirical religious framework
  • Theology: Absurdist spiritual dimension to the collective’s identity

3. Philosophy & Aesthetics

Guiding Principles

  • Manifesto: Exists but content not accessible via search (requires direct visit to manifesto page)
  • Anti-Aesthetic: „Underbidding themselves in effort for the audience“
  • Propaganda Subversion: Countering media warfare with „soft washing“ (Weich Schpülen)
  • No Ambition: Explicit hashtag #noambition used in promotions

Aesthetic Keywords

  • Chaos, unclear messages, frustration, failure
  • Scharfkantige Gegenstände (razorsharp objects)
  • Rainy Wedding aesthetic (specific atmosphere)
  • Small-scale, dense presentations („few square meters“)

4. Key Collaborations & Institutional Context

Primary Partner

  • ZDÖ Kulturressort (Zweites Deutsches Österreich) – commissioning body
  • art.endart project space (Berlin-Wedding) – main exhibition venue since at least 2012

Notable Group Exhibitions

  • „*CUT – bloodyblackredrabbits im Kulturpalast“ (2023)
  • „Daily Room. Kitsch & Art“ (2017)
  • „Impressionen an der Panke“ (2013) – Berlin-Goluchow exchange project
  • „Treasures Collection“ series (2015, curator Lucyna Viale)

Curatorial Relationship

  • Lucyna Viale (art.endart) – frequent collaborator/curator including Bloodyblackredrabbits in multiple group shows

5. Cultural Positioning

Geographic Network

  • Berlin-Wedding: Primary base in this specific district
  • Eastern European Focus: Regular participation in projects with Polish, Ukrainian, Belarusian, Russian artists
  • International Reach: Participated in „Osteuropa Tage Berlin“ (2017)

Art World Role

  • Function: Offensive/defensive art collective (attacks while ironically undermining own efforts)
  • Scale: Deliberately small, „terrible spectacle“ aesthetic
  • Longevity: 15+ year endurance in Berlin’s underground art scene

6. Symbolic Ecosystem

Rabbit Iconography

  • Multi-state Bunny: Color variations carry different meanings
    • Black: Sacred darkness, witchcraft, occult realms
    • Red: Vitality, visible wound, warning
    • Gold: Related project „Golden Rabbit“ suggests hierarchy/achievement
    • Pink: „Aka Pink Rabbit“ – associated persona/page

Collective Behavior

  • Warren Metaphor: „Rabbits undercutting their efforts“ – self-sabotage as strategy
  • Metastasizing Entity: Appears as virus/absorber of personal wealth, religious sentiment, artistic practice

7. Chronological Timeline

YearMilestone
2010Earliest documented performance (~punchscreen GENrationen~) at art.endart
2012ATOMSHOP installation; active group exhibition participation begins
2014„Weich Schpülen“ anti-propaganda performance; QUADRO ART live concert
2017„Daily Room. Kitsch & Art“ group show; Osteuropa Tage participation
2023CUT major solo presentation at Kulturpalast Wedding
202515-year anniversary retrospective (April)

8. Digital Presence & Accessibility

  • Primary Domain: www.bloodyblackredrabbits.com
  • Secondary Site: bloodyblackredrabbits.de (contains manifesto)
  • Music Platforms: Spotify (songs: „Connection,“ „Schatz,“ „She’s Different“)
  • Social Media: Associated Facebook pages (Golden Rabbit, Pink Rabbit)
  • Current Status: Active as of 2025, with ongoing exhibitions

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